DEADLINE: February 15, 2010 (Submission) Architizer.com announces an entirely new kind of architectural award that chooses its winner from the losing competition entries of 2009. Every year architects submit thousands of projects to competitions without receiving recognition or compensation for their work; this award is a do-over. Entries are easily uploaded to Architizer for consideration and there is no fee for submission. Entrants are only required to include three images, a text description, and credit for the entire team. Competition Competition 2010 is open to everyone who did not win a first prize. Submissions will be evaluated solely on their architectural merit, not on the criteria of the original competition for which they were created. For more information, visit http://www.architizer.com/en_us/projects/view/competition-competition-2010/2862/
The Visual Arts Week Society is seeking architecture-related proposals for the 18th incarnation of Artcity Festival. We are seeking proposals for temporary architectural installations that address a township or multiple structure theme, the nomadic nature of Artcity festival, the utopian nature of outdoor rock music festivals, and/or the need for a space/structure where the public can congregate en masse, enjoy, and be challenged. http://www.artcityfestival.com
The seemingly impossible vertical gardens -- vegetation growing on soil-less vertical surfaces -- that are finding popularity in the ever-more-green-minded media and public are the almost single-handed product of one person: Patrick Blanc . Contributing to the architecture of many high-profile architects and their commissions, and the author of a forthcoming book on the subject, it's hard to deny the appeal of vegetation appearing to take over an architect's creation, something that might have only seemed possible with Photoshop until very recently. [Musée du quai Branly | photograph by rolando g ] The Musée du quai Branly in Paris, France by Jean Nouvel is one of Blanc's most well-known installations, overshadowing the architect's formal bravado on the museum's other faces. It makes the relationship between old and new striking, even though Nouvel picks up on the regular openings of the neighbor. It seems to indicate that now real vegetation is architectural or...
Comments